Tuong, also called Hat Boi in the south, is a kind of drama of the
national theatre. Tuong came into being over five hundred years ago, reflecting
the rich and special culture of Vietnam.
The
acting seen in this theatre is a dramatic art form in which the actors make use
of their technical mastery to describe the actions and states of mind of the
characters. This type of acting is different from other styles which require
the actors to give up their individuality to transform themselves into the
characters of the play.
Tuong
stage has a very concise symbolization. Only with some actors on the stage, the
whole scene of the court with all the officials who are attending royal
ceremonies could be seen, or two generals with some soldiers fighting also show
a battle with hundreds of thousands of troops and horses fighting fiercely, and
even a gourd of wine and four wooden cups also express a lowish banquet. It is
a mistake to deal with Tuong without mentioning the art of making up. It is
because just looking at a made-up face, we may guess the personality and social
class of that character. For example, a canthsus drawn toward one's ears show
that he is a great gentleman and hero. As for beards, a black, curly beard is
for a fierce man, three-tuft beard for a gentleman; a dragon's beard for Kings
and mandarins and for majesty; a mouse's whisker, a goat's beard and a fox's
whisker for cunning and dishonest men. Beardless man must be students.
The
gestures of characters on the stage are stylized with symbolization, which
attract the viewers passionately. To a western-style drama, when a general
rides a horse, it must be a real one or a horse-like costume ; but, to an actor
of Tuong, only a white, brown red or black whip also means many kinds of
horses: black, sorrel or white. The actor of Tuong acts very concisely. Only
with a whip, he is able to make the viewers passionate through delicate
acting's with horses galloping or at full gallop, of which there are
good-mannered or restive ones... With an oar, the actor of Tuong is able to
show the viewers the boat fast sailing, wavering due to waves, making the
viewers feel as through they were onthe boat.
The
accompanying tomtoms in Tuong are very important, because they start the
actor's sentiment; they bring the past time and space to the present; they
unite the character's sentiment with the stage, and the actor with the
audience. The art of Tuong in Vietnam includes those of painting, sculpture
through the ways of making up, costumes and dance, pantomine, singing, saying
through the actings of actors; as well as the combination of traditional
musical instruments of Vietnam. The art of Tuong has raised the lofty view of
desire to the true - the good - the beautiful (Chan - Thien - My) as well as
the viewpoints of life of the ancients: Benevolence - Righteousness - Civility
- Knowledge - Loyalty ( Nhan - Le - Nghia - Tri - Tin) through special
characters who are benevolent and righteous. Tuong is one of the valuable
pearls reflecting the rich and special culture of Vietnamese people.

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