Ca tru music sounds strange to the uninitiated. It is not the kind of music that inspires toe
tapping or humming.
Originally, ca tru was also called hat a dao or hat noi
(literally song of the women singers). Attractive young singers entertained men
in a relaxed environment, sometimes serving drinks and snacks. Men might have
visited a hat a dao inn with friends to celebrate a successful business deal or
the birth of a son.
Ca tru flourished in the 15th century in northern Vietnam
when it was popular with the royal palace and a favorite hobby of aristocrats
and scholars. Later it was performed in communal houses, inns and private
homes. These performances were mostly for men. When men entered a ca tru inn
they purchased bamboo tally cards. In Chinese, tru means card. Ca means song in
Vietnamese, hence the name ca tru: tally card songs. The tallies were given to
the singers in appreciation for the performance. After the performance each
singer received payment in proportion to the number of cards received.
Ca tru requires at least three performers. The singer is
always a woman and plays the phach, an instrument made of wood or bamboo that
is beaten with two wooden sticks. A musician accompanies the singer on the dan
day, a long-necked lute with three silk strings and 10 frets. There is also a
drummer or trong chau.
The drummer shows his approval of the singer or the songs
depending on how he hits the drum. If he likes a song he might hit the side of
the drum several times. If he is disappointed with the singer, he hits the drum
twice. The guitar player must follow the rhythm of the phach. His instrument,
the dan day, is only used in ca tru and is now made almost exclusively for sale
to tourists who find the shape intriguing.

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