Cheo is a form of popular theatre in Vietnam that has its
roots in ancient village festivals.
It consists of folk songs with pantomime, intrumental music
and dances, combined with instructive or interpretive sketches dealing with
stories from legends, poetry, history or even daily life. Also brought into
play are acrobatic scenes and magic. Cheo tells tales of chiefs, heroes and
lovely maidens and offers an eclectic mix of romance, tragedy and comedy.
Traditionally Cheo was composed orally by anonymous
authors. Today's playwrights compose cheo operas along traditional lines : the
characters in the plays sing time-tested popular melodies with words suited to
modern circumstances.
The costomes, makeup, gestures and language create
typical characters familiar to every member of the audience. The props are
simple. As a result, there is a close interchange between the performers and
the spectators.
A Cheo play could be put on stage in a large theater, but
it could also be performed successfully on one or two bed mats spread in the
middle of a communal house with a cast of only three: a hero, a heroine and a
clown.
The sound of the Cheo drum has a magical power and upon
hearing it, villagers cannot resist coming to see the play. The clown in a cheo
play seems to be a supporting role, but actually he or she is very important to
the performance. The clowns present a comic portrayal of social life, with ridiculous,
satirical words and gestures, they reduce the audience to tears of laughter.
The national Cheo repertoire includes among others Truong
Vien, Kim Nhan, Luu Binh - Duong Le, and Quan Am Thi Kinh, which are considered
treasures of the traditional stage.
Cheo opera is an integral part of Vietnamese theater and
is well-enjoyed by people in both country and town, and by foreign spectators
as well. It is particularly relished by foreign tourists and overseas
Vietnamese on a visit to their country of origin.
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